An interesting collective….
Please visit http://skelf.org.uk/ to view the works.
Skelf is pleased to present Digital Alienation by Ant Dickinson with accompanying text by Artemis Crowley. The exhibition consists of three separate yet corresponding interactive works created using Javascipt, a web coding language. Using an entirely virtual medium, Digital Alienation explores physical, human ideas of loneliness, emphemerality and the organic within the machine. What begin as recognisable structures are quickly abstracted as we travel within them, creating a disorienting maze that alters our relationships with both form and content.
Working with text by writer and artist Artemis Crowley, Ant Dickinson allows us to visually manipulate her words, distorting and rearranging their meaning and sequence. There is no concrete terra-firma in the virtual space. Digital Alienation highlights the disengagement we have with content and message- everything is fluid, re-interpretable.
Skelf SITE is a virtual project space, accessible to anyone, everywhere.
In January I recently showed some new works alongside Liverpool based Artist Dave Evans at The Great Medical Disaster in Manchester. Invited by the artist run curatoral project Suckerpunch.biz the exhibition was supported by Castlefield Gallery New Art Spaces
Large scale monotype relief prints made from plastic pallet wrap define a Tetris like landscape system that is inhabited by Numatic Cube sculptures and Concrete Jack multiples cast from discarded consumer packaging.
‘The Prosumer Chronicles‘ brings together prints, digital and sculptural work by White Wizard founder Dave Evans and London based artist Robin Tarbet. Both artists deal with the residue of technological progress, things such as polystyrene packaging and errant radio waves, using these by-products to explore the implications of perpetual growth”
I returned in December from the three week art residency with La Wayaka and 8 other artists from all over the world, and it’s taken some time to adapt to being back!
The Atacama Desert in the north of Chile is extraordinary… immense, some incredible rock formations and spread of textures and materials on the ground: from sand to the salt flats of the Salar (which is where Lithium extraction happens). Part of my intention was find out more about the impact of lithium extraction soon the indigenous community inside the broader context of Lithium being termed ‘the new oil’ as companies like Tesla turn to the production of electric cars on a large scale as the ‘green future’.
Lithium production in the Lithium Triangle (Chile, Bolivia and Argentina) requires a lot of water which travels through miles and miles of black piping from the Andes to the plants. At the same time, local indigenous communities, which are found in the many small oases scattered across the desert, depend on this water for their survival and livelihood. The relationship between the Lithium plants and the communities is tenuous and tense as each of them seek to reach ‘a working balance’. And many communities feel that they have been ill-informed about the agreements that have been drawn up and agreed.
I collected material, took lots of photographs and some video and sound of my time there and will write more again. However, La Wayaka have been successful in securing Guest Projects in London for July to August and I am submitting work for that: photographic and some video which is currently in progress…. and I’ll share more about that as it progresses.
Click on the link above for an overview of the Hinkley Point story.
In the meantime in Anglesey Horizon have applied for planning permission to remove all hedges, walls and natural features from a massive area just so as to be ready to build a new NPS should they get the go-ahead. Of course they are recording everything and plan to rebuild and replant every missing item should they be unsuccessful in their project. I am trying to get hold of their records – an item by item drawing of everything down to the last hedgerow plant and stone should be quite interesting.
A selection of radioactive vinyl. Commissioned by Z33 House For Contemporary Art in the context of the expo ‘Perpetual Uncertainty’.
It’s a trip through children’s records about atomic energy, pro-nuclear interviews, thematic ‘library music’ and toxic electronics. In addition a small brochure with liner notes on each selection will be available at the expo, a comprehensive and diverse exhibition on a delicate but controversial topic.